I got a phone call from a friend recently about his daughter.  She sings
old-style jazz.

The reason he called was to ask if I had any advice on what to do with
a daughter who sings old-style jazz.  (He chose to call me because MY
daughter sings the same style and my friend knew we had gone through
the same decision-making process they were going through: career vs.
college, this style vs. that style, how to approach record labels, etc.)

He made an off-hand comment that stuck with me.  His daughter sings
so beautifully that her voice is what I'd call 'stunning.'  But he mentioned that she came home from school and said 'I can't sing,' (which meant, 'I'm not good enough.')

He asked her why she was saying such a thing.  She replied that she
had sung for her friends at school and they had not expressed much
other than boredom...

As you can imagine, he and I both experienced a mix of emotions
hearing thisreport.  We were offended ('those young punks...what do
they know?...') We were indignant ('Kids today don't even know how
to recognize a great song...')  And we were unabated (Because we
know that there is still a market for old-style jazz...think of Madeleine
Peyroux--whose voice was restored by working with Brett Manning--she alone is proof.)

But upon thinking about this comment, I got the idea for this article.

HERE'S A 'HARD TRUTH'...
MOST OF THE TIME, WE DESIRE MORE THAN A SINGER!

My friend Tom Jackson (stage show expert) likes to compare what
happens between a singer and an audience with what happens at
a restaurant:  The audience is like a table full of hungry people.